About this interview

In a 2009 interview with Ryan Minic of Ryan’s Rock Show, Jordan Blilie and Devin Welch reflected on their approach to making music with Past Lives, the evolution of the independent scene, and how their experiences in The Blood Brothers shaped their perspective on the industry.

They explained that Past Lives was never formed with a specific goal or career trajectory in mind. Instead, they approached each new project as a unique experience rather than something that needed to fit within a framework of success. Unlike bands that set career milestones, they felt that putting creativity into a rigid structure could limit artistic expression. Their focus was on collaboration—creating something that satisfied all four members rather than chasing external validation.

Discussing the DIY ethos, they acknowledged that platforms like MySpace had made discovering music easier, especially for kids in small towns without a strong local scene. The internet had given more exposure to independent artists, but they also pointed out a downside—people expecting instant access to everything about a band, leading to a sense of entitlement among listeners. They believed that while digital access helped expand music communities, it also diminished the mystery and organic discovery of bands, which was once a major part of underground music culture.

They also reflected on their time in The Blood Brothers, recalling how young musicians would often ask them, “How did you get signed?” They found this mindset frustrating, as it suggested that getting signed was the goal rather than making meaningful music. In the early 2000s, there was a period where major labels were signing experimental and extreme bands, but they believed that wave had come and gone. Nowadays, they felt that bands didn’t need major labels—with so many DIY tools available, artists could distribute music on their own terms without industry interference.

When asked about Past Lives’ lyrical content compared to The Blood Brothers, Blilie explained that while The Blood Brothers had political and social themes, Past Lives focused more on personal experiences. He acknowledged that they all had strong opinions on politics and social issues, but they didn’t necessarily channel them into the band’s music. Instead, their personal values were reflected in how they conducted themselves as people and artists rather than through overt political messages.

They also talked about humbling experiences that shaped their perspective on the industry. From having their label go bankrupt twice before an album release to having equipment stolen and dealing with frustrating live performances, they had learned to accept setbacks with a sense of humor. They explained that when their second label collapsed, they had no choice but to shrug it off and move forward, realizing that dwelling on industry struggles wouldn’t change anything.