About this interview
In a 2007 interview with Ryan Minic of Ryan’s Rock Show, Justin Pearson of The Locust discussed the band’s unconventional approach, the challenges of DIY touring, and the evolution of the music industry. He reflected on the band’s origins, revealing that their early goal was to emulate the raw, chaotic energy of bands like Crossed Out. However, their sound evolved as members introduced new elements, including synths, which became a defining feature of their music.
Pearson admitted that The Locust never really had concrete goals but instead followed their instincts. Over time, they achieved significant milestones, yet he acknowledged the constant struggle of sustaining a band, especially in an industry where financial pressures make survival difficult. Touring was a major part of the conversation, with Pearson describing the exhaustion of being on the road 24/7. He admitted that while he sometimes questions whether he wants to continue, he has no desire to work a conventional job and remains committed to his art.
The interview also touched on the difficulties of balancing relationships while being a touring musician. Pearson shared how his personal life had been affected, including a broken engagement, and spoke about the guilt of being away from loved ones for long periods. He reflected on his close relationship with his mother, who had always supported his musical pursuits, even driving him to band practices when he was younger.
Discussing the state of the music industry, Pearson expressed frustration over illegal downloading, arguing that it has significantly harmed independent artists. As the owner of the label Three One G, he described the challenges of funding records, only to see them leak online before a single copy is sold. While he understands the shift in consumption habits, he stressed that artists still need financial support to keep creating.
Despite the hardships, Pearson remains passionate about music and the community it fosters. He spoke about meeting incredible people through touring and collaborating with artists he admires. He also shared his experiences being booed and having objects thrown at The Locust during certain tours, especially in the UK, where audiences didn’t always understand their sound. However, he viewed these incidents as a testament to the band’s ability to provoke strong reactions, whether positive or negative.
Throughout the conversation, Pearson reinforced his dedication to pushing boundaries, supporting underground artists, and maintaining The Locust’s uncompromising vision, regardless of industry trends or commercial pressures.