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Blog Features

To Crowdfund or Not to Crowdfund: Protest The Hero’s Tim Millar Weighs in

Protest The Hero blew everyone’s mind when they crowdfunded $340,000 for their new album Volition. Even the band was shocked by the overwhelming support, especially since their goal of half the amount was raised in just one day. Volition came out a few weeks ago and we caught up with guitarist Tim Millar while on the band’s current tour with Affiance, The Kindred, and The Contortionist. He talked about the new record and offered his reaction to the band’s successful Indiegogo campaign. And what he said might surprise you.

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Blog Features

We’ll Miss You, The Chariot

“Unadulterated nonsense,” I thought to myself when trying to explain The Chariot to someone; but somehow I knew I wouldn’t get my point across until they put on headphones. Harsh, heavy hitting, simple, complex, grandiose, raw, and honest – The Chariot are all that plus more. So in honor of the band’s last show ever this past weekend in their hometown of Douglasville, GA, I’m here to give one final salute to a band that’s become significant to many of us, and who permanently left their mark on the heavy music community.

Formed in 2003 after Josh Scogin’s departure from Norma Jean, The Chariot have always said their live shows are the heart of their musical expression. But I disagree — especially when they’ve consistently released heartfelt and ungodly heavy albums over the course of a decade. Their songs will pull you into slow, heavy marching/cult-like/group-chant euphoria, while other times they’re fast and to the point.

Since The Chariot’s debut album Everything is Alive, Everything is Breathing, Nothing is Dead, Nothing is Bleeding in 2004, they’ve brought an unrelenting presence of high intensity and emotion to the table. Their approach on their sophomore album The Fiancée was one of a less traditional style of metalcore, but it wasn’t until Wars and Rumors of Wars was released that we learned the true nature of the beast. This pivotal album set the stage for The Chariot’s unique future methodology — moving as one cohesive unit through a song, as opposed to a generic double bass throbbing or long winded guitar solos as seen in their peers. Their final and last two albums Long Live and One Wing are of the most professionally written and produced album of the bunch. Tracks like “Forget,” “Not,” “Evan Perks,” and “David De La Hoz” are not only some of the more defining tracks of their career, but also extend the boundaries and limits we see in music today. If “Evan Perks” isn’t one of the heaviest openers to an album I’ve ever heard, then I’ve lost sight of music.

With every album they released I didn’t think it COULD be any heavier, that it COULD be any more abrasive. I was always wrong. The Chariot have redefined the meaning of hardcore/metal/punk rock. They’ve mastered the art of showmanship and musicianship and allowed us to expect the unexpected. They’re catchy in all ways that aren’t cheesy. They’re like heavy metal punk experts.

Thanks for showing us what a well thought out album should sound like. And thanks for showing us how a live show should feel.

Long live, The Chariot.

Some footage of their last show at Chain Reaction:

And our 2012 interview with Josh Scogin:

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Blog Features

Everyone Dies in Utah: Did they Change their Sound? The Band Responds to Fan Criticism

Everyone Dies in Utah have been getting some slack for their new sound. The band’s latest album Neutral Ground came out last week, and it’s left a bunch of devout fans unsettled with their new musical direction. Being the nosey rosies that we are, we asked guitarist Keaton Smith to weigh in on all the criticism. And despite what anyone thinks, he says EDIU are just doing their own thing.

What’s different about this album versus the previous two?

It’s a lot heavier. We have a different singer but it’s still Everyone Dies in Utah.

I’ve heard the album and noticed the new sound. Why did you decide to go in a new direction with your music?

Keaton: It’s not necessarily a new direction for us it’s just like us trying to figure out. We write what we like and we don’t try to fit a certain style. We did want to bring more of the synth stuff back.

What was the theme of the album if any?

Not necessarily. I had a basic idea of topics I wanted to write about but I kind of just ended up with certain things that were a little more angry but still had that positive message.

What were some of the topics you covered?

Heartbreak, bullies, just because I’ve seen a lot of that stuff recently and it’s angered me. I feel like if we all came together as people we could stop all that. That’s pretty much what I wrote about on this album.

I’ve been reading comments on Facebook and some of the fans are responding to the new songs negatively. How are you dealing with the negative comments?

Well to me it just seems like it’s more production wise, which I didn’t understand because I didn’t know there were so many audio engineers in this world (laughs). We went to Platinum Recording and so we tracked all real instruments and used all real drums. People are just used to hearing overly produced albums and since we used real instruments it’s just going to take people time to get used to it but we think it will grow on people eventually. Pretty much all the negative comments we’ve gotten were on production.

What’s next now that the album has hit stores?

We’re going to do a small album release tour that starts tomorrow and after that we’re going to start the New Year and promote the cd. On top of that over the holidays we’re actually going to start writing a new album.

Do you have any big tour plans for next year?

Not yet but we are working on getting something big set up for next year.

Are there any goals for the band as a whole or individually as far as music is concerned?

I want to put out another album pretty soon actually which is a pretty big goal… the real goal is to just keep putting music out and constantly doing what we do.

Any message for the fans? Or any last thoughts?

Don’t ever ever cook bacon without a shirt on. Just please let everyone know that.

Categories
Blog Features House Shows

Here’s a Video of Our House Show with The Ongoing Concept

When The Ongoing Concept released their music video for “Cover Girl” earlier in the year, it put the music scene in a tizzy. The unknown quartet from Coeur d’ Alene, Idaho suddenly had their name on the map, in a world of heavy music polluted with cookie-cutter bands and sub-par knockoffs.

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Blog Features

A Lot Like Birds: What You Didn’t Know About their New Album, “No Place”

A Lot Like Birds are a band that have been steadily on the rise the past few years. Their third studio album No Place came out last week through Equal Vision, and we asked guitarist Michael Franzino to give us an inside look on what went into making the record. The group recently kicked off their fall headlining tour and they’re soaring across the US with HRVRD, Night Verses, and My Iron Lung. Beware: they may ruffle a few of your feathers.